An exhibition in the National Museum of Scotland gives us a glimpse into the mind of a genius – and the grisly history of medical science
Leonardo da Vinci’s notes on human anatomy remained largely forgotten until the mid-18th century when the Scottish anatomist William Hunter learned of them in the royal collection. A new exhibition at the National Museum of Scotland, called Anatomy: A Matter of Death and Life, brings some of these drawings together with a variety of objects and artwork from the Scottish Enlightenment to illuminate the frequently tense relationship between the furthering of anatomical knowledge, and the need of early anatomists to procure dead bodies. Leonardo got around the problem by working with elite patrons and by assisting an academic professor of anatomy; later Dutch and Scottish anatomists often had to pull bodies from gibbets and graveyards. Modern medicine, the art of postponing death, is built on a foundation of this grave robbery, but had its origins in a more collaborative, consensual attitude typified by Leonardo. It’s an approach that has now returned: the exhibition closes with a moving series of videos from Edinburgh’s current professor of anatomy, a medical student and a member of the public, each explaining the vital role of bequests by people who leave their body to medical science.
Some of this history is unavoidably grisly: the exhibition resurrects the story of Burke and Hare, two Irishmen of Edinburgh who obtained bodies for the anatomist Robert Knox through the simple expedient of murdering them. Burke’s fate was to be anatomised: on my way to tutorials in Edinburgh’s medical school I used to pass his skeleton, and it was a surprise to see it across the road in the museum. Burke’s signed confession has been loaned from the New York Academy of Medicine, and some detective work has unearthed details of the lives of his victims. There is Johan Zoffany’s painting of William Hunter lecturing, and from Amsterdam, Cornelis Troost’s three-metre The Anatomy Lesson of Dr Willem Röell– more ghoulish (and more accurate) than Rembrandt’s The Anatomy Lesson of Dr Nicolaes Tulp, painted almost 100 years earlier. One particularly striking exhibit is an early 19th-century petition, signed by 248 medical students, asking forbodies to be made available to them through legal means.
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